The melodies are developed slowly, mainly in acoustic guitar and later with keyboards. Fortunately, the initial sounds of rain already stop whatever though you have in the moment, allowing the melodie to unfold in a good trip. I said "and beyond" exactly because, after listening the two other albums we are lead to believe in something more closely to the early format.
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After the more rock centred (and quite good) previous offerings, Drago Mlinarec offers a full folk-and-beyond album. One of the first Yugoslavian (Yugoslavian? Is that right?) album I heard with intensity. Posted Monday, Novem| Review this album | Report (Review #2636110) One could also say that the frenzy does not exist in thisĪlbum). Relaxed and less frenetic semi-acoustic sound (although Listener and everything is left in the hands of a more Where the instruments suffer less the prejudices of the One of the most beautiful suites ofįolk rock! After this song, the album maintains its levelīut everything is born with an atmosphere of peace The energy is concentrated in the poetry of the lyricsĪnd Drago's voice. Improvisation rooted in jazz fusion a definitive andįragile ending where the instruments calm down and all On: a rain that accompanies the fading melodies an To represent folk rock not only from his nation but alsoįrom around the world due to its versatile andĮxperimental structure that starts as a sort of Thick As Aīrick and then takes different paths as the song goes The other songs, and it is also one of the best examples The highlight of the album and the one that surrounds The flute melodies and his ethereal voice show offĭrago's influences. Medieval and classical sound inevitably similar to Jethro Probably one of the significant albums of the Why this artist must be listed in : Mlinarec's music is closely related to progressive rock and progressive folk, with often long compositions, poetic lyrics and acoustic and classical influences and was the premier singer/songwriter during 1970s in ex Yugoslavia. Recommended to fans of folk-rock, progressive folk and acoustic guitars with melodic but sometimes extended songs, with psyche moments. On one hand it resembles TRAFFIC or CSN&Y, on the other "Meddle"-era PINK FLOYD. Mlinarec's first four albums ("A ti se ne daj", "Pjesme s planine", "Rodjenje" and "Negdje postoji netko") are usually regarded to be the best there he explored diverse musical interests, crossing over between acid-tinged jam proto-prog rock with long compositions featuring guitar, organ and flute solos, and more mellow acoustic and electric folk rock with progressive and sometimes psychedelic or "classical" feeling. In 1997 Mlinarec won Croatian music honorary award "Porin" for life accomplishment in music. The CD retrospective "Krhotine" appeared in 1996, which presented a recap of his entire career. Around 1987 Mlinarec moved to the Croatian countryside, where he lived away from publicity until 1994 when he recorded an ambient-experimental cassette tape "Analog" with Aldo Ivancic. From 1979 till 1983 he recorded three albums in Sweden with producer/multiinstrumentalist Tinnie Varga, while during the 1980s he collaborated with Zagreb-based New Wave bands AZRA and LE CINEMA.
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During 1970s Mlinarec also appeared at many rock festivals including famous "BOOM" pop festival in Ljubljana 19, and was engaged in composing music for several theatre plays, TV shows, documentary and feature films. The third album "Rodjenje" in 1975 introduced keyboard player Neven Franges with whom Mlinarec was about to collaborate until 1978, recording two more albums. That album marked the beginning of his solo career and the following year saw the release of "Pjesme s planine", critically acclaimed LP with Zubak and Stancic of GRUPA 220 as rhythm section. He planned a new GRUPA 220 album, but instead decided to issue it under his solo name, "A ti se ne daj" in 1971. Upon the break-up of the group's first line-up in 1970, Mlinarec gathered a new GRUPA 220 band with the musicians: Husein Hasanefendic, Ivan Piko Stancic, Nenad Zubak and Brane Zivkovic. Drago Mlinarec was one of the most prolific singer/songwriters in the former Yugoslavia and the leader of the renowned beatsters GRUPA 220, the first ex-YU rock band that managed to record an LP album back in 1968 in Zagreb (present Croatia).
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